Please use this identifier to cite or link to this item: https://knowledgecommons.lakeheadu.ca/handle/2453/3096
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dc.contributor.advisorRabb, Douglas-
dc.contributor.authorA'Llerio, Karen E.-
dc.date.accessioned2017-06-07T20:07:50Z-
dc.date.available2017-06-07T20:07:50Z-
dc.date.created1999-
dc.date.issued1999-
dc.identifier.urihttp://knowledgecommons.lakeheadu.ca/handle/2453/3096-
dc.description.abstractThe meaning of Ojibwa crafted objects within their cultural horizon is explored through interviews with Ojibwa crafts people. Transformative philosophy is used as a method to bridge the profound gap between Western and Ojibwa world views. David Abram's work in phenomenology supplies the philosophical content needed for cultural shift T ^ life-world layers are identified; the deep life-world, shared by everyone, in which perceptual reciprocity forms the webwork of interconnection; and the cultural life-worlds ^ ic h overlayer the firs t Ojibwa crafted objects are seen as animate beings within the spiritual matrix of the life-world. Further, they carry Ojibwa traditional cultural meaning. The artisans work in a mode of spiritual awareness to craft, to create, spiritual and sacred objects.-
dc.language.isoen_US-
dc.subjectOntology-
dc.subjectOjibwa mythology-
dc.subjectOjibwa philosophy-
dc.titleCraft, ritual, and world view : Ojibwa ontology through transformative philosophy-
dc.typeThesis-
etd.degree.nameMaster of Arts-
etd.degree.levelMaster-
etd.degree.disciplinePhilosophy-
etd.degree.grantorLakehead University-
dc.contributor.committeememberMcPherson, Dennis-
dc.contributor.committeememberVervoort, Patricia-
Appears in Collections:Retrospective theses

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